International
Colombia’s crusade to repatriate its archeological heritage
November 5 |
Wearing latex gloves and a white coat, restorer Carla Medina holds part of Colombia’s history in her hands. A growing number of pre-Columbian pieces are returning from abroad in an unorthodox way: President Gustavo Petro himself is bringing them back.
“It’s a great responsibility and a great privilege,” he tells AFP in his laboratory at the Colombian Institute of Anthropology and History (ICANH).
Medina, 41, analyzes a clay vessel repatriated from Italy, which had to be reconstructed from fragments. She is grateful “to have the opportunity to have access to an object that has so many years of history”.
At least 560 pre-Columbian pieces were returned from other countries aboard the presidential plane of leftist Gustavo Petro, in some of the more than 30 trips abroad that he has completed in just over a year in office. International tours criticized by the opposition as dispensable and costly.
Most of the pieces returned from the United States, United Kingdom, Belgium, Spain, Germany, Mexico, among other countries, in a coordinated work between the Foreign Ministry and ICANH.
One of the most recent returns was in October and took place on the diplomatic vessel Gloria, where 12 archeological pieces traveled from Costa Rica to Cartagena.
The recovery is part of a strategy of “efficient use of resources”, said at the time the former vice-minister of Multilateral Affairs, Laura Gil, and is advancing at an accelerated pace compared to the previous government, in which only 18 pieces were repatriated in four years.
For Catalina Ceballos, director of cultural affairs at the Foreign Ministry, it is a way to “start talking about decolonization from another perspective.”
Most of the pieces returned to Colombia were taken out of the country when there was no legal clarity in the world on the traffic of archaeological goods.
Only since 1997 has Colombian law recognized the State as the legitimate owner of national archaeological heritage.
However, the fight against illegal trafficking of these pieces has not been a priority in a country bled by half a century of armed conflict between authorities, guerrillas, paramilitaries and criminal gangs. While the budget suggested by the Presidency for ICANH in 2024 is equivalent to some 2.3 million dollars, that proposed for the defense area and the Police is almost 600 times greater.
Juan Pablo Ospina, coordinator of the anthropology group at ICANH, nevertheless emphasizes that in the current government repatriations have been “successful” because the presidential plane has been “fully available” to bring pieces “properly packed and safeguarded on those trips”.
Recent returns have been made mostly by private collectors on a voluntary basis and require diplomatic work in each country of origin. ICANH is then in charge of the registration, cataloguing, transfer, reception and, in some cases, intervention of the pieces.
As most of the repatriated works are ceramic, the restoration processes are simpler. “Even though they are very old, they can be very well preserved with the passage of time,” says Medina.
The most vulnerable materials are those “of an organic nature,” such as textiles, paper or wood.
The composition of the materials also offers details about how Colombia’s early societies functioned in relation to their territory, says Medina.
For the most part, the Colombian territory was made up of pre-Columbian societies distributed in small chiefdoms.
Ospina assures that what today corresponds to Panama, Venezuela, Colombia and part of northern Ecuador is known as the “intermediate zone” in Latin American archeology, “because what happened there is completely different from what happened in Mesoamerica or in the central Andes,” where great empires were formed.
That is why in Colombia, unlike in Mexico or Peru, it is not common to find palaces, pyramids or large goldsmith traces, with one great exception: the treasure of the Quimbayas. A collection of gold found at the end of the 19th century in a small village in the department of Quindío (west), donated at that time to the Queen of Spain by the Colombian president Carlos Holguín and which today is in the Museum of America in Madrid.
Most of Colombia’s archaeological treasures are ceramic pieces from different periods and cultures, some 6,000 and 7,000 years old, found in the Caribbean, Ospina explains.
“They are very early evidence of ceramics,” he adds.
In other Colombian regions the use of ceramics dates back to approximately 1,000 BC, present mainly in religious and funerary rites.
International
Deportation flight lands in Venezuela; government denies criminal gang links
A flight carrying 175 Venezuelan migrants deported from the United States arrived in Caracas on Sunday. This marks the third group to return since repatriation flights resumed a week ago, and among them is an alleged member of a criminal organization, according to Venezuelan authorities.
Unlike previous flights operated by the Venezuelan state airline Conviasa, this time, an aircraft from the U.S. airline Eastern landed at Maiquetía Airport, on the outskirts of Caracas, shortly after 2:00 p.m. with the deportees.
Interior Minister Diosdado Cabello, who welcomed the returnees at the airport, stated that the 175 repatriated individuals were coming back “after being subjected, like all Venezuelans, to persecution” and dismissed claims that they belonged to the criminal organization El Tren de Aragua.
However, Cabello confirmed that “for the first time in these flights we have been carrying out, someone of significance wanted by Venezuelan justice has arrived, and he is not from El Tren de Aragua.” Instead, he belongs to a gang operating in the state of Trujillo. The minister did not disclose the individual’s identity or provide details on where he would be taken.
International
Son of journalist José Rubén Zamora condemns father’s return to prison as “illegal”
The son of renowned journalist José Rubén Zamora Marroquín, José Carlos Zamora, has denounced as “illegal” the court order that sent his father back to a Guatemalan prison on March 3, after already spending 819 days behind barsover a highly irregular money laundering case.
“My father’s return to prison was based on an arbitrary and illegal ruling. It is also alarming that the judge who had granted him house arrest received threats,” José Carlos Zamora told EFE in an interview on Saturday.
The 67-year-old journalist was sent back to prison inside the Mariscal Zavala military barracks on March 3, when Judge Erick García upheld a Court of Appeals ruling that overturned the house arrest granted to him in October. Zamora had already spent 819 days in prison over an alleged money laundering case.
His son condemned the situation as “unacceptable”, stating that the judge handling the case “cannot do his job in accordance with the law due to threats against his life.”
International
Miyazaki’s style goes viral with AI but at what cost?
This week, you may have noticed that everything—from historical photos and classic movie scenes to internet memes and recent political moments—has been reimagined on social media as Studio Ghibli-style portraits. The trend quickly went viral thanks to ChatGPT and the latest update of OpenAI’s chatbot, released on Tuesday, March 25.
The newest addition to GPT-4o has allowed users to replicate the distinctive artistic style of the legendary Japanese filmmaker and Studio Ghibli co-founder Hayao Miyazaki (My Neighbor Totoro, Spirited Away). “Today is a great day on the internet,” one user declared while sharing popular memes in Ghibli format.
While the trend has captivated users worldwide, it has also highlighted ethical concerns about AI tools trained on copyrighted creative works—and what this means for the livelihoods of human artists.
Not that this concerns OpenAI, the company behind ChatGPT, which has actively encouraged the “Ghiblification”experiments. Its CEO, Sam Altman, even changed his profile picture on the social media platform X to a Ghibli-style portrait.
Miyazaki, now 84 years old, is known for his hand-drawn animation approach and whimsical storytelling. He has long expressed skepticism about AI’s role in animation. His past remarks on AI-generated animation have resurfaced and gone viral again, particularly when he once said he was “utterly disgusted” by an AI demonstration.
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