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Russia destroys postal infrastructure in Odessa in another ballistic missile attack

After killing a total of nine civilians in two previous attacks this week, Russian forces attacked the Ukrainian port of Odessa again last night with ballistic missiles, this time destroying a warehouse and an office of Ukraine’s main private postal company, Nova Poshta.

According to a statement from the company, there are no employees killed or injured as a result of the attack, but 14 people outside Nova Poshta have been injured in last night’s attack, the third that Russia launches with ballistic missiles against the port of Odessa this week.

“The estimated value of the packages that were destroyed as a result of the attack will be refunded to customers in their entirety,” the company announced, which will send the shipments that were going to reach the hit infrastructure to another of its warehouses in Odessa.

Russian missiles have caused damage to buildings near the damaged postal infrastructure, according to the head of the Military Administration of the Odessa region, Oleg Kiper.

An Iskander ballistic missile launched on Monday in broad daylight by Russia against the tourist district of Arcadia, in southern Odessa, killed six people and set fire to part of a historic building known as ‘Harry Potter Castle’.

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According to the Army and the Prosecutor’s Office of Ukraine, the missile used by Russia in that attack was loaded with cluster munitions.

In videos released by the Ukrainian authorities, you can see the different explosions of the submunitions that make up this type of ammunition designed to cause as much damage as possible in an extended area.

More than thirty people were injured in this attack. Some of them walked along the stretch of the promenade that passes through the place where the explosions occurred.

Russia attacked Odessa again with ballistic missiles on Wednesday, causing the death of three people. The Russian Ministry of Defense said hours later, without giving more details about it, that it had reached the headquarters of the Ukrainian South Command, which is located in Odessa.

The port of Odessa is a common target of Russian missiles and drones. The city’s port and in particular the infrastructure dedicated to the export of cereals have been a priority target for Russia since last summer.

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Ukrainian authorities have warned that Russia seeks to decimate the Ukrainian economy and sabotage the daily lives of the inhabitants of Ukraine with attacks on civilian infrastructure such as the one that destroyed Nova Poshta’s warehouse and office last night.

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International

Deportation flight lands in Venezuela; government denies criminal gang links

A flight carrying 175 Venezuelan migrants deported from the United States arrived in Caracas on Sunday. This marks the third group to return since repatriation flights resumed a week ago, and among them is an alleged member of a criminal organization, according to Venezuelan authorities.

Unlike previous flights operated by the Venezuelan state airline Conviasa, this time, an aircraft from the U.S. airline Eastern landed at Maiquetía Airport, on the outskirts of Caracas, shortly after 2:00 p.m. with the deportees.

Interior Minister Diosdado Cabello, who welcomed the returnees at the airport, stated that the 175 repatriated individuals were coming back “after being subjected, like all Venezuelans, to persecution” and dismissed claims that they belonged to the criminal organization El Tren de Aragua.

However, Cabello confirmed that “for the first time in these flights we have been carrying out, someone of significance wanted by Venezuelan justice has arrived, and he is not from El Tren de Aragua.” Instead, he belongs to a gang operating in the state of Trujillo. The minister did not disclose the individual’s identity or provide details on where he would be taken.

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International

Son of journalist José Rubén Zamora condemns father’s return to prison as “illegal”

Guatemalan court decides Wednesday whether to convict journalist José Rubén Zamora

The son of renowned journalist José Rubén Zamora Marroquín, José Carlos Zamora, has denounced as “illegal” the court order that sent his father back to a Guatemalan prison on March 3, after already spending 819 days behind barsover a highly irregular money laundering case.

“My father’s return to prison was based on an arbitrary and illegal ruling. It is also alarming that the judge who had granted him house arrest received threats,” José Carlos Zamora told EFE in an interview on Saturday.

The 67-year-old journalist was sent back to prison inside the Mariscal Zavala military barracks on March 3, when Judge Erick García upheld a Court of Appeals ruling that overturned the house arrest granted to him in October. Zamora had already spent 819 days in prison over an alleged money laundering case.

His son condemned the situation as “unacceptable”, stating that the judge handling the case “cannot do his job in accordance with the law due to threats against his life.”

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International

Miyazaki’s style goes viral with AI but at what cost?

This week, you may have noticed that everything—from historical photos and classic movie scenes to internet memes and recent political moments—has been reimagined on social media as Studio Ghibli-style portraits. The trend quickly went viral thanks to ChatGPT and the latest update of OpenAI’s chatbot, released on Tuesday, March 25.

The newest addition to GPT-4o has allowed users to replicate the distinctive artistic style of the legendary Japanese filmmaker and Studio Ghibli co-founder Hayao Miyazaki (My Neighbor Totoro, Spirited Away). “Today is a great day on the internet,” one user declared while sharing popular memes in Ghibli format.

While the trend has captivated users worldwide, it has also highlighted ethical concerns about AI tools trained on copyrighted creative works—and what this means for the livelihoods of human artists.

Not that this concerns OpenAI, the company behind ChatGPT, which has actively encouraged the “Ghiblification”experiments. Its CEO, Sam Altman, even changed his profile picture on the social media platform X to a Ghibli-style portrait.

Miyazaki, now 84 years old, is known for his hand-drawn animation approach and whimsical storytelling. He has long expressed skepticism about AI’s role in animation. His past remarks on AI-generated animation have resurfaced and gone viral again, particularly when he once said he was “utterly disgusted” by an AI demonstration.

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