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Refugees from the Sudan war rebuild their lives between fear and hope

Every afternoon, a group of women fleeing the conflict in Sudan gather in a tent in the transit center of Renk, a border town in the territory of South Sudan, to participate in a workshop on gender violence, where they share their testimony, receive the attention of professionals and begin to heal the wounds that the war left them in body and mind.

Some of the attendees are South Sudanese returnees; others, Sudanese refugees, and all try to overcome the fear, suffering and violence, in many sexual cases, that they lived during their escape from the war that broke out more than a year ago between the Army of Sudan and the paramilitary group Rapid Support Forces (FAR).

They sit in a circle and listen in silence to one of the women who decides to explain her story. Some nod, a tear runs down the cheek of another who plays with the hem of her colorful dress, while a woman decides to add her experience.

The safety and well-being of their children was the first thing, despite being paralyzed by fear. Salma, a fictitious name, tells EFE that his three children were unable to sleep due to the fear of bombs and gunfire. Now they sleep a little better, but they are still restless.

“We fled our home in Khartoum (capital of Sudan) around midnight. No car. We walked in silence to another town and another and another,” Salma says about the nightmare of leaving his house behind and crossing the Joda border crossing to apply for refuge in South Sudan.

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He doesn’t talk about her. She doesn’t feel prepared. She explains that she lost her husband along the way, without giving details, and is grateful because the little ones can go to a kind of nursery in the center, but regrets that the elderly cannot continue studying.

Dunia, also a pseudonym, feels lucky to have her husband, but shares her concern for minors. “I want my children to be able to go back to school. We want them to open a school here, we don’t want to go to the Mabán refugee camp,” he explains.

After spending half a month in the Renk transit center, the refugees are transferred to the Mabán camp, a nearby location, but neither Dunia nor other women want to: “The facilities are not good and they rape girls and women when they move away to the latrines or to look for firewood in the outskirts,” he says.

Sexual violence against women is a common weapon in all wars. It’s not easy to talk about this episode in their lives. None of them do it. Shame and social and community rejection weighs, and they do not want to reopen wounds that are still healing.

According to a report issued in February by the Office of the United Nations High Commissioner for Human Rights, “at least 118 people were exposed to sexual violence, including rape, gang rape and attempted rape,” while Sudanese human rights organizations raise the figure to more than 370 in just over a year of war in the African country.

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However, these figures are only the tip of the iceberg. The director of the government Department for the Fight against Violence against Women and Children, Salima Ishaq, told EFE that only 2% of the victims of sexual violence have dared to report it to the authorities, while the rest avoid it because of “social restrictions” or “for fear of reprisals.”

“The estimates indicate that the complaints we receive do not exceed 2% of the actual incidents of sexual violence, which means that the total number could reach 7,000 cases of sexual violence,” he added.

Sexual violence has another retaliation: unwanted pregnancies. The Sudanese authorities announced in mid-May that they had taken in a dozen babies abandoned by women raped by FAR fighters, although they did not disclose possible cases resulting from alleged rapes committed by members of the Army.

Yamila was robbed of everything during her escape. Some armed men took her husband and demanded a ransom. He doesn’t have money or know where he is, not even if he’s still alive. “I want him to come back. I’ve thought about killing myself because my children ask me about him and I don’t know what to answer, but I have to move on for them,” he says in tears.

“They are the future. I want you to study and go to university. They are sad because they don’t go to class. One wants to be a teacher, the other wants to be a doctor,” he adds. Despite everything, he appreciates the company of the other women because they give him strength.

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It agrees with her Nouran, who recognizes the positive effect that this therapy group has among the participants: “We talk about our problems and look for solutions. Together we are stronger and we help and advise each other, we talk about the children…”

The session ends, but they all feel a little lighter and more lively. They think that when they say something out loud, they take a weight off their back. Tomorrow they will return and little by little they will reinforce this network of women with which they are rebuilding their lives with a shared desire: that the war ends to return to their home, Sudan.

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International

Deportation flight lands in Venezuela; government denies criminal gang links

A flight carrying 175 Venezuelan migrants deported from the United States arrived in Caracas on Sunday. This marks the third group to return since repatriation flights resumed a week ago, and among them is an alleged member of a criminal organization, according to Venezuelan authorities.

Unlike previous flights operated by the Venezuelan state airline Conviasa, this time, an aircraft from the U.S. airline Eastern landed at Maiquetía Airport, on the outskirts of Caracas, shortly after 2:00 p.m. with the deportees.

Interior Minister Diosdado Cabello, who welcomed the returnees at the airport, stated that the 175 repatriated individuals were coming back “after being subjected, like all Venezuelans, to persecution” and dismissed claims that they belonged to the criminal organization El Tren de Aragua.

However, Cabello confirmed that “for the first time in these flights we have been carrying out, someone of significance wanted by Venezuelan justice has arrived, and he is not from El Tren de Aragua.” Instead, he belongs to a gang operating in the state of Trujillo. The minister did not disclose the individual’s identity or provide details on where he would be taken.

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International

Son of journalist José Rubén Zamora condemns father’s return to prison as “illegal”

Guatemalan court decides Wednesday whether to convict journalist José Rubén Zamora

The son of renowned journalist José Rubén Zamora Marroquín, José Carlos Zamora, has denounced as “illegal” the court order that sent his father back to a Guatemalan prison on March 3, after already spending 819 days behind barsover a highly irregular money laundering case.

“My father’s return to prison was based on an arbitrary and illegal ruling. It is also alarming that the judge who had granted him house arrest received threats,” José Carlos Zamora told EFE in an interview on Saturday.

The 67-year-old journalist was sent back to prison inside the Mariscal Zavala military barracks on March 3, when Judge Erick García upheld a Court of Appeals ruling that overturned the house arrest granted to him in October. Zamora had already spent 819 days in prison over an alleged money laundering case.

His son condemned the situation as “unacceptable”, stating that the judge handling the case “cannot do his job in accordance with the law due to threats against his life.”

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International

Miyazaki’s style goes viral with AI but at what cost?

This week, you may have noticed that everything—from historical photos and classic movie scenes to internet memes and recent political moments—has been reimagined on social media as Studio Ghibli-style portraits. The trend quickly went viral thanks to ChatGPT and the latest update of OpenAI’s chatbot, released on Tuesday, March 25.

The newest addition to GPT-4o has allowed users to replicate the distinctive artistic style of the legendary Japanese filmmaker and Studio Ghibli co-founder Hayao Miyazaki (My Neighbor Totoro, Spirited Away). “Today is a great day on the internet,” one user declared while sharing popular memes in Ghibli format.

While the trend has captivated users worldwide, it has also highlighted ethical concerns about AI tools trained on copyrighted creative works—and what this means for the livelihoods of human artists.

Not that this concerns OpenAI, the company behind ChatGPT, which has actively encouraged the “Ghiblification”experiments. Its CEO, Sam Altman, even changed his profile picture on the social media platform X to a Ghibli-style portrait.

Miyazaki, now 84 years old, is known for his hand-drawn animation approach and whimsical storytelling. He has long expressed skepticism about AI’s role in animation. His past remarks on AI-generated animation have resurfaced and gone viral again, particularly when he once said he was “utterly disgusted” by an AI demonstration.

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