International
Investigation of the San José galleon, the great scientific challenge that Colombia embarks on
Colombia embarked on one of the greatest scientific challenges in its history: the investigation of the Spanish galleon San José, sunk by English privateers off the coast of Cartagena de Indias in the 18th century and found in 2015 at a depth of more than 600 meters.
The authorities began this work with great enthusiasm, for which different institutions were articulated such as the Ministry of Cultures, the Navy and the Colombian Institute of Anthropology and History (Icanh).
“Associated with archaeology, culture and heritage, it is the first time we have made such a great effort and in this Government, particularly, to believe in the institutions and in the ability we have to do something to show the world. It is a special challenge,” the head of Maritime and River Interests of the Colombian Navy, Rear Admiral Hermann León, told EFE.
That institution put at the service of this purpose the ship ARC Caribe and all its technological capacity to “be able to go down to 600 meters deep” to observe the wreck, a task to which only Colombian specialists will dedicate themselves.
For the investigation, which will be of six phases, the Government of Colombia has also already made a decision that will make its work easier: to declare as ‘Protected Archaeological Area of the Nation’ the area where the galleon is, whose coordinates are secret to prevent treasure hunters from reaching there that can steal what was in the San José.
“This is the first protected archaeological area of Colombia in the underwater space, it is the first in America at this depth. Colombia is doing a research project as it has not been seen before under the universal principles of heritage protection and they must be assured that this is a scientific project to bring the best of that knowledge to Colombians,” the Rear Admiral added.
The San José, built in 1698 in Guipúzcoa (Spain) and belonging to the Spanish Navy, was sunk on June 8, 1708 during an attack by a fleet of English privateers when it was on its way to Cartagena de Indias loaded, according to chronicles of the time, with about 11 million coins of eight shields in gold and silver that it had collected at the Portobelo fair (Panama).
Spain, based on the rules of the United Nations Educational, Scientific and Cultural Organization (UNESCO), claims the ownership of the galleon for being “a state ship,” with its flag.
The Colombian Government, which declared the San José “asset of submerged cultural interest,” does not rule out collaboration with that country to treat the wrech as a shared heritage.
The director of the Icanh, Alhena Caicedo, explained to EFE that the investigation of the galleon is the result of “an intention to transform what the history of Colombia implies, to transform the assessment of the archaeological heritage and to give the San José galleon a sense of national identity.”
“The idea is to remove that somewhat mythological nuance that has made it a rather controversial treasure, in which people are trying to see if there is gold, if there is silver, if there are precious metals and not if there is an archaeological text that can give us very interesting answers about what the history of Colombia and the Caribbean has been,” Caicedo said.
For that reason, the focus is on protecting the archaeological heritage, on “guaranteeing a cultural value” for Colombia in order to show a more local than European story.
For that purpose, the director of Icanh explained, the research takes into account the voices of different actors, ranging from indigenous people who claim their rights over the spit to academics who are experts in heritage issues.
“We want to guarantee through this high-level scientific research that there are multiple voices, multiple ways of thinking about history and memory, multiple stories, if you want, that allow us to complicate the readings that we sometimes have about the past in order to have a much more interesting future reference,” he added.
International
Deportation flight lands in Venezuela; government denies criminal gang links
A flight carrying 175 Venezuelan migrants deported from the United States arrived in Caracas on Sunday. This marks the third group to return since repatriation flights resumed a week ago, and among them is an alleged member of a criminal organization, according to Venezuelan authorities.
Unlike previous flights operated by the Venezuelan state airline Conviasa, this time, an aircraft from the U.S. airline Eastern landed at Maiquetía Airport, on the outskirts of Caracas, shortly after 2:00 p.m. with the deportees.
Interior Minister Diosdado Cabello, who welcomed the returnees at the airport, stated that the 175 repatriated individuals were coming back “after being subjected, like all Venezuelans, to persecution” and dismissed claims that they belonged to the criminal organization El Tren de Aragua.
However, Cabello confirmed that “for the first time in these flights we have been carrying out, someone of significance wanted by Venezuelan justice has arrived, and he is not from El Tren de Aragua.” Instead, he belongs to a gang operating in the state of Trujillo. The minister did not disclose the individual’s identity or provide details on where he would be taken.
International
Son of journalist José Rubén Zamora condemns father’s return to prison as “illegal”
The son of renowned journalist José Rubén Zamora Marroquín, José Carlos Zamora, has denounced as “illegal” the court order that sent his father back to a Guatemalan prison on March 3, after already spending 819 days behind barsover a highly irregular money laundering case.
“My father’s return to prison was based on an arbitrary and illegal ruling. It is also alarming that the judge who had granted him house arrest received threats,” José Carlos Zamora told EFE in an interview on Saturday.
The 67-year-old journalist was sent back to prison inside the Mariscal Zavala military barracks on March 3, when Judge Erick García upheld a Court of Appeals ruling that overturned the house arrest granted to him in October. Zamora had already spent 819 days in prison over an alleged money laundering case.
His son condemned the situation as “unacceptable”, stating that the judge handling the case “cannot do his job in accordance with the law due to threats against his life.”
International
Miyazaki’s style goes viral with AI but at what cost?
This week, you may have noticed that everything—from historical photos and classic movie scenes to internet memes and recent political moments—has been reimagined on social media as Studio Ghibli-style portraits. The trend quickly went viral thanks to ChatGPT and the latest update of OpenAI’s chatbot, released on Tuesday, March 25.
The newest addition to GPT-4o has allowed users to replicate the distinctive artistic style of the legendary Japanese filmmaker and Studio Ghibli co-founder Hayao Miyazaki (My Neighbor Totoro, Spirited Away). “Today is a great day on the internet,” one user declared while sharing popular memes in Ghibli format.
While the trend has captivated users worldwide, it has also highlighted ethical concerns about AI tools trained on copyrighted creative works—and what this means for the livelihoods of human artists.
Not that this concerns OpenAI, the company behind ChatGPT, which has actively encouraged the “Ghiblification”experiments. Its CEO, Sam Altman, even changed his profile picture on the social media platform X to a Ghibli-style portrait.
Miyazaki, now 84 years old, is known for his hand-drawn animation approach and whimsical storytelling. He has long expressed skepticism about AI’s role in animation. His past remarks on AI-generated animation have resurfaced and gone viral again, particularly when he once said he was “utterly disgusted” by an AI demonstration.
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