International
The trunks of the Saharawi return that stayed in the Tinduf camps
Like all Saharawi refugees, Mestehia Jatri used the zinc sheets that make the roof in the houses of the camps of Tinduf, Algeria, to build her return trunk that would fill with bedens to return in 1992 to her native Western Sahara.
They never returned, but he keeps the ark in the yard of that frustrated longing.
“When they told us (that the referendum was agreed and close to being held) we were very happy and all the families began to assemble the trunks of the return. In each jaima you saw one,” he tells EFE Mestehia in front of his own that contained “that happiness of returning home.”
The trunks that the families kept represented for years in the camps the expected return of the refugee and the promises of independence but, while hope moved away, the needs for a life in exile increased. Most had to recycle the zinc sheets to re-make the roofs.
“Eight years after setting up our return trunk, we recycled it again and there are its veneers,” says the roof of one of his rooms Fatimetu Hamed, a neighbor of Mestehia.
“The UN has lied to us and left us here as refugees forever,” Fatimetu conveys a feeling of frustration.
Mestehia was born in 1953 in the town of Guelta, in the then Spanish Sahara, and today resides in Smara, one of the five camps built in the Algerian desert in 1975 to house those fleeing violence. Her husband died in the war between the Polisario Front and Morocco in the 1980s.
Like all refugee camps, temporarily provided for being a status that is expected to be transitory, it lacks infrastructure, industries, and its approximately 173,000 inhabitants subsist mainly from humanitarian aid in an environment of adverse climatic conditions.
The Polisario Front, a movement that fights for the independence of Western Sahara, manages these camps from Rabuni, a site that houses the institutions and where the international cooperative members who work throughout the humanitarian network reside without which they could not survive.
“The Saharawis are refugees for a political cause, they are here because their land is occupied and because the UN has not yet fulfilled its promise to resolve their conflict by holding the referendum,” says in an interview with EFE Buhubeini Yahya, president of the Saharawi Red Crescent, the main humanitarian organization in the camps.
“The humanitarian situation is very serious and is in a continuous deterioration due to the fall in funds,” says Yahya, who lists the cuts in the basic basket or the increase in the levels of malnutrition and anemia among women and children.
It foresees a few months of red alert “if the contributions of the donor countries are not increased.”
It was the year 1991 when Mestehia built his trunk shortly after the ceasefire that gave a truce to 15 years of war, since Spain withdrew in 1975 from its former colony and Morocco entered to control the territory that it now maintains under its dominion.
January 26, 1992 was the date set to hold a referendum of self-determination, eternally postponed.
The call was suspended due to the discrepancies between the parties – Polisario Front and Morocco – about the census and the lists of people eligible to vote. Despite the attempts of the UN and its established mission to organize and supervise the vote (MINURSO), there has been no agreement since then.
Morocco later definitively dislinked and in 2007 presented to the UN its proposal for autonomy within the Moroccan borders to resolve the conflict, a proposal praised by its main ally, France, and lately supported by the Spanish Government.
However, the Polisario categorically rejects it and maintains its commitment to the vote.
“We were very happy to hear that news (in 1991). The feeling of returning home and to our land, to reunite with our relatives who stayed in the Western Sahara,” Mestehia recalls.
They filled the trunks with food, clothes and the few possessions they had in humble jaimas, more designed to cope with the way back; but there was no return: “The trunks stayed here,” he says.
One more year, International Refugee Day has passed but the return continues to fly over the camps: “It is true that at another time it was much closer, but we continue to firmly believe that independence will come, as long as we continue to breathe and live, that dream will remain,” Mestehia sighs.
International
Deportation flight lands in Venezuela; government denies criminal gang links
A flight carrying 175 Venezuelan migrants deported from the United States arrived in Caracas on Sunday. This marks the third group to return since repatriation flights resumed a week ago, and among them is an alleged member of a criminal organization, according to Venezuelan authorities.
Unlike previous flights operated by the Venezuelan state airline Conviasa, this time, an aircraft from the U.S. airline Eastern landed at Maiquetía Airport, on the outskirts of Caracas, shortly after 2:00 p.m. with the deportees.
Interior Minister Diosdado Cabello, who welcomed the returnees at the airport, stated that the 175 repatriated individuals were coming back “after being subjected, like all Venezuelans, to persecution” and dismissed claims that they belonged to the criminal organization El Tren de Aragua.
However, Cabello confirmed that “for the first time in these flights we have been carrying out, someone of significance wanted by Venezuelan justice has arrived, and he is not from El Tren de Aragua.” Instead, he belongs to a gang operating in the state of Trujillo. The minister did not disclose the individual’s identity or provide details on where he would be taken.
International
Son of journalist José Rubén Zamora condemns father’s return to prison as “illegal”
The son of renowned journalist José Rubén Zamora Marroquín, José Carlos Zamora, has denounced as “illegal” the court order that sent his father back to a Guatemalan prison on March 3, after already spending 819 days behind barsover a highly irregular money laundering case.
“My father’s return to prison was based on an arbitrary and illegal ruling. It is also alarming that the judge who had granted him house arrest received threats,” José Carlos Zamora told EFE in an interview on Saturday.
The 67-year-old journalist was sent back to prison inside the Mariscal Zavala military barracks on March 3, when Judge Erick García upheld a Court of Appeals ruling that overturned the house arrest granted to him in October. Zamora had already spent 819 days in prison over an alleged money laundering case.
His son condemned the situation as “unacceptable”, stating that the judge handling the case “cannot do his job in accordance with the law due to threats against his life.”
International
Miyazaki’s style goes viral with AI but at what cost?
This week, you may have noticed that everything—from historical photos and classic movie scenes to internet memes and recent political moments—has been reimagined on social media as Studio Ghibli-style portraits. The trend quickly went viral thanks to ChatGPT and the latest update of OpenAI’s chatbot, released on Tuesday, March 25.
The newest addition to GPT-4o has allowed users to replicate the distinctive artistic style of the legendary Japanese filmmaker and Studio Ghibli co-founder Hayao Miyazaki (My Neighbor Totoro, Spirited Away). “Today is a great day on the internet,” one user declared while sharing popular memes in Ghibli format.
While the trend has captivated users worldwide, it has also highlighted ethical concerns about AI tools trained on copyrighted creative works—and what this means for the livelihoods of human artists.
Not that this concerns OpenAI, the company behind ChatGPT, which has actively encouraged the “Ghiblification”experiments. Its CEO, Sam Altman, even changed his profile picture on the social media platform X to a Ghibli-style portrait.
Miyazaki, now 84 years old, is known for his hand-drawn animation approach and whimsical storytelling. He has long expressed skepticism about AI’s role in animation. His past remarks on AI-generated animation have resurfaced and gone viral again, particularly when he once said he was “utterly disgusted” by an AI demonstration.
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